ᱥᱮᱨᱟ ᱵᱨᱤᱴᱤᱥ
ᱱᱚᱠᱥᱟ

Best Design Great Britain ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱨᱮᱭᱟᱜ ᱱᱤᱛᱚᱜᱟᱜ ᱠᱟᱹᱞᱟᱹ, ᱵᱷᱟᱹᱞ ᱱᱚᱠᱥᱟ ᱟᱨ ᱢᱟᱨᱟᱝ ᱥᱛᱷᱟᱯᱚᱛᱭᱚ ᱩᱫᱩᱜᱟ. ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱟ ᱱᱚᱠᱥᱟ ᱟᱨ ᱱᱚᱶᱟ ᱥᱮᱨᱟ ᱠᱟᱹᱢᱤ ᱛᱮᱭᱟᱨᱤᱡ ᱦᱟᱦᱟᱲᱟᱜ ᱱᱚᱠᱥᱟᱠᱟᱨ, ᱠᱟᱹᱞᱟᱹᱠᱟᱨ, ᱟᱨ ᱥᱛᱷᱟᱯᱚᱛᱤ ᱠᱚ ᱯᱟᱱᱛᱮ ᱯᱮ.

ᱴᱮᱠᱥᱴᱟᱭᱤᱞ

ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱴᱮᱜᱽ ᱟᱠᱟᱱ 4 ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱰᱤᱡᱟᱭᱤᱱᱠᱚ ᱧᱮᱞ ᱢᱮ.

ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱴᱮᱜᱽ ᱧᱮᱞ ᱢᱮ. ᱥᱮᱨᱟ ᱵᱨᱤᱴᱤᱥ ᱱᱚᱠᱥᱟᱠᱟᱨ ᱟᱨ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱛᱷᱚᱠ ᱨᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱡᱤᱛᱟᱹᱣ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ, ᱯᱨᱚᱠᱚᱞᱯᱚ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ.

Bianca Elgar ᱦᱚᱛᱮᱛᱮ ᱛᱮᱭᱟᱨ The Language of Flowers Print Design Collection, A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ

The Language of Flowers Print Design Collection

Bianca Elgar ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱥᱚᱨᱮᱥ ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.

Tangible Media Group, MIT Media Lab ᱦᱚᱛᱮᱛᱮ ᱛᱮᱭᱟᱨ bioLogic self-transforming biological skin, A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ

bioLogic self-transforming biological skin

Tangible Media Group, MIT Media Lab ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱥᱚᱨᱮᱥ ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.

Yen-Ting Cho ᱦᱚᱛᱮᱛᱮ ᱛᱮᱭᱟᱨ 2023 Revive Collection Wool Scarf, A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ

2023 Revive Collection Wool Scarf

Yen-Ting Cho ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2023 ᱨᱮ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.

Yen-Ting Cho ᱦᱚᱛᱮᱛᱮ ᱛᱮᱭᱟᱨ New York Wool Scarf Collection, A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ

New York Wool Scarf Collection

Yen-Ting Cho ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱜᱨᱮᱴ ᱵᱨᱤᱴᱮᱱ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱴᱮᱠᱥᱴᱟᱭᱤᱞ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.

Very Creative Network

DXGN

DXGN ᱰᱤᱡᱟᱤᱱ ᱠᱷᱚᱵᱚᱨ ᱮᱠᱥᱪᱮᱱᱡ ᱱᱮᱴᱣᱟᱨᱠ

ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱ ᱰᱤᱡᱟᱤᱱ ᱠᱚᱱᱴᱮᱱᱴ ᱧᱟᱢ ᱢᱮ ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱷᱚᱠ ᱛᱷᱚᱠ ᱵᱮᱥ ᱯᱷᱚᱞᱟᱣ ᱠᱚ ᱨᱮ ᱯᱷᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱠᱷᱟᱸᱴᱤ ᱡᱟᱪ ᱛᱮ ᱡᱟᱪ ᱟᱠᱟᱱ ᱤᱱᱚᱵᱷᱮᱥᱚᱱ ᱯᱨᱚᱫᱩᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱠᱷᱚᱡ ᱧᱟᱢ ᱢᱮ᱾

DXGN ᱧᱮᱞ ᱢᱮ

ᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱮᱱᱟᱜᱛᱟᱢᱟ?

ᱟᱢᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ A' Design Awards ᱨᱮ ᱡᱚᱢᱟᱭ ᱢᱮ, Best Design Great Britain ᱨᱮ ᱛᱟᱹᱞᱠᱟᱹᱭᱚᱜ ᱢᱮ ᱟᱨ ᱜᱚᱴᱟ ᱡᱮᱜᱮᱛ ᱨᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ.

ᱟᱢᱟᱜ ᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱱᱤᱛᱚᱜ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ